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GG Dance Eger: Ferenc Liszt - Hungarian Rhapsody Budapest première

GG Dance Eger: Ferenc Liszt - Hungarian Rhapsody Budapest première

Franz Liszt began composing his rhapsodies 180 years ago in 1839. He intended the rhapsodies to be adaptations of 'ancient Hungarian music', which he had come to know through the playing of Gypsy musicians.


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Last event date: Tuesday, March 19 2019 7:00PM

It is said of Liszt that he was Hungarian at heart, German in his love of music, French in his appearance and erudition, English in his aristocratic sensibility, and Italian in his enthusiasm for the arts. Hungary and its people were an important part of his life: while he didn't speak Hungarian, he described himself as such. The artist, celebrated across Europe, played a role in the flourishing of Hungarian culture, placing great emphasis on discovering and nurturing talent. Are we Hungarians, who live our daily lives speaking our native language, striving to preserve our beautiful and rich culture to pass on to the coming generations?
The rhapsody is a lyrical poem which contains the soaring, whimsical extremes of the spirit, great contrasts, and passionate emotions. The mood, tempo and rhythmic changes typical of the genre are paired perfectly with the tools of contemporary dance.
Sponsored by: Eger City Hall, EMMI, NKA, FM7 (radio), Szuperinfó, Eger News, HEOL.hu, Szent István Radio, Radio 1, egriprogramok.hu, Eger média, Agria Park, 1552 Restaurant - Eger,

Presented by: National Dance Theatre

dancers: Dorottya Kelemen, Attila Emődi, Virág Rovó, Rayco Lecuona Suarez, Joni Österlund, NadinTörteli, Laura Novák, Karolina Tóth
special guest Zoltán Oláh
piano
special guest Judit Gábos

music: Liszt, Erkel, Wagner
musical collaborator: Dr. Zoltán Nagy
costume designer: Janó Papp
visual design: Zsolt Fodor, Imre Engler
dramaturg: István Pinczés
ballet master: Gábor Sziráky
choreographer's assistant: Dorottya Kelemen
stage manager: Ildikó Hódos
choreographer, costume and set concept: Tamás Topolánszky

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The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.

„Jöttem a mindenségbe, törpe lélek; honnan? Ki tudja! Tengve, lengve élek; miért? ne kérdezd! És mint a szél a pusztán, csak imbolygok, nem tudva: hova térek.”

“Rasa” is a Sanskrit word meaning “taste”.The word is used by Indian theatre aesthetics to define the experience that the spectator has during a performance. Just as there are many types of rasa, there can also be a wide variety of performance types. Today’s Indian classical dances all have ancient roots, traces of which can still be found in today’s performance styles.

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