
HA DÔ (Wave Motion) Yvette Bozsik Company
Tadashi Endo is presenting his work HA DÔ - Wave Motion, after Brazil and Germany, in Hungary, performed by the Yvette Bozsik Company, itself celebrating its 25th anniversary.
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Tadashi Endo is presenting his work HA DÔ - Wave Motion, after Brazil and Germany, in Hungary, performed by the Yvette Bozsik Company, itself celebrating its 25th anniversary.
more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Tuesday, May 16 2023 7:00PM
HA DÔ
(Wave Motion)
Yvette Bozsik Company
“Bathing my torn and wrinkled self
In its former credos
Gathering piece by piece
From blood, flames and woes
Stashed away, a living dead.
Loyal witness of Yesterday
And my own tributes may be needed,
To help me lift my face
In dear tribute
To a new world filled with new men.”
(excerpt from Seed Under Snow byEndre Ady)
Tadashi Endo, living and working in Göttingen, Germany, is one of the greatest butoh dancers and choreographers living today, trained by the iconic founders of butoh dance, Tatsumi Hijikata and Kazuo Ohno. He has been the head of the MAMU butoh centre in Göttingen for 25 years.
Tadashi Endo is presenting his work HA DÔ - Wave Motion, after Brazil and Germany, in Hungary, performed by the Yvette Bozsik Company, itself celebrating its 25th anniversary. The joint premier is the result of three years of collaboration between Tadashi Endo and the Yvette Bozsik Company, which was preceded by several intensive butoh workshops in Budapest.
The performance serves as a memento to the all-time victims of wars.
“Where can people find a true home?
Perhaps where they can find love and safety?
Could this be the reason for the wandering
throughout our lives incessantly?”
Tadashi Endo
Performed by
Dóra Hasznos
Zsófia Hegedűs
Brigitta Hortobágyi
Samantha Kettle
Alíz Krausz
Anna Bujdosó
Tímea Fülöp
Tímea Sebestyén
Zsófia Széki
Szabolcs Gombai
Ábel Indrei
Dániel Krizsán
Tamás Vati
Ádám Zambrzycki
and Endo Tadashi
Lighting Design: József Pető
Visual Design: Tamás Vati
Costumes: Nikoletta Bati
Music: Daniel Maia
Creative Producer: Marcell Iványi
Assistant: Gyöngyvér Joó
Choreography: Tadashi Endo
Rhapsody as a genre is characterized by caprice and the passionate undulation of emotion, thoughts, and the freedom of expression. Hungarian Rhapsody incorporates all of the peculiarities of thegenre, relying on tradition, and drawing inspiration from it, to create a special and unique dance rhapsody. The colorful diversity of the Hungarian peasant traditions appear in dynamically alternating images – the acrobatics of the male dances, the poetry of the female dances, and the virtuosity of the couples’ dances. The most beautiful melodies of folk culture surface at times as dance accompaniments, or as whimsical solos, and at other times as tempestuous orchestral play.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
VASAS DANSE: Closed Doors The presence of another person is a stimulus on stage. A stimulus that immediately becomes a question, a challenge, an attack. When two people meet, values, customs, traditions, and languages always come together. Expectations. The compulsion to meet other’s expectations. I have to make room within myself for the other person, who can only find meaning within me according to my own rules and my own axis of experience. That is how my own existence is reinterpreted in the other.
Once again, a talented new generation of creative artists with a serious devotion to folk dance has grown up.
„...a Héttorony mélyében fekszik a mérhetetlen kincs, melynek a Barát az őre; bizonyos éjeken látni őt völgyeket áthágó lépéssel, fejével…
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
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