Two bodies meet at one point. This point is now common. Two bodies, two people meet at this common point. They are touched. Being touched is like getting into something exceptionally sensitive, intimate, deep. In this moment, something really important, something essential happens. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Wednesday, December 18 2024 7:00PM
A new era begins in a person's life. Whoever is involved is no longer objective. Rather honest. And vulnerable. Touch permeates, grasps a person’s being, essence, and gently or forcefully, but takes control. Finally. Therefore, anyone who touches someone bears great responsibility, be it physical, emotional, artistic or ideological touch. (Gábor Goda)
Created and performed by Tamás Bakó, Bea Egyed, Dávid Mikó, Zoltán Mózes, Henrietta Szalay
Musicians: Szabolcs Madarasi,Róbert Morzsa, Dániel Patkós, Anna Rovó, Péter Zombola
Video technics: András Juhász, Mihály Lukács
Creative technology: XORXOR
Composer: Péter Zombola
Space: Ferenc Sebestény
Installations: Antal Bodóczky
Costumes: Kriszta Lőrincz
Light design: Gábor Kocsis
Production Director: Margit Hodován
Production Assistant: Anna Fazekas
Directed and choreographed by Gábor Goda
Once again, a talented new generation of creative artists with a serious devotion to folk dance has grown up.
Kizökkent az idő…, ahogy Shakespeare-nél szokott. De, míg Hamlet azzal a bizonyossággal lép a színpadra, hogy általa még helyretolható – Lear az első pillanatban elveszti a csatát. Nem fokozatosan fog széthullani; az egykori nagy király és magabiztos férfi egyetlen pillanat alatt semmisül meg, amikor imádott felesége sírba száll. Darabbéli útja innen csak tántorgás a végső nyughely felé. Hangulat ingadozásai, átkai, dührohamai, de még kétségbeesett kapaszkodási kísérlete is lányaiba – mind a pótolhatatlan űrrel magyarázhatók. Képtelen tovább a kormányzásra; így válik a birodalom felosztása kényszerűvé. Nincs előre eltervezettség és racionális döntés, csak kapkodó improvizálás.
Rhapsody as a genre is characterized by caprice and the passionate undulation of emotion, thoughts, and the freedom of expression. Hungarian Rhapsody incorporates all of the peculiarities of thegenre, relying on tradition, and drawing inspiration from it, to create a special and unique dance rhapsody. The colorful diversity of the Hungarian peasant traditions appear in dynamically alternating images – the acrobatics of the male dances, the poetry of the female dances, and the virtuosity of the couples’ dances. The most beautiful melodies of folk culture surface at times as dance accompaniments, or as whimsical solos, and at other times as tempestuous orchestral play.
Ever since God gave Adam a companion, fashioned from his rib, in Paradise, the order of the world has been…
Written in 1909,‘Liliom, or the Life and Death of a Villain' captivates audiences everywhere. It tells the story of a…
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
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A Nemzeti Táncszínház fenntartója.
