The inspiring influence of the exciting, ever-popular South American musical rhythms and their non-traditional use has long been present in Tamás Topolánszky’s choreographic approach. This new production uses original melodies and Hungarian-language works by Hungarian composers, with an exciting combination of music written for the production. more
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Last event date: Wednesday, October 29 2025 7:00PM
It is also worth noting the dancers recite fragments of well-known hits as dialogue in the stage situations during the dance steps inspired by Latin rhythms (samba, tango, zouk, rumba, lambada). Some of the characters who meet in the café are taken from the works of contemporary Brazilian authors, “magical-realistic” figures—adventurers, rebels critical of the system, beautiful women, lonely intellectuals—who dance their adventures, sometimes frivolously, sometimes more intensely. The everyday, ordinary, and even self-consciously extreme characters who appear in the café according to the dramaturgical organising principle of the music are “a bit like you and me”. The dance production organises the small joys and great sorrows of people living here and now in Hungary, the cathartically uplifting or hilariously banal episodes of their life stories, stylised into dance, into a kaleidoscopically vibrant unity.
Performed by
Anna Manetti
Léna Bondor
Attila Emődi
Míra Éles
Gréta Gellért
Hung-Ming Pan
Emőke Lászlóffy
Marialaura Savino
Márk Plita
Dániel Varga
Dramaturge: István Pinczés
Music: montage
Music collaborator: Zoltán Nagy
Set and scenery: Tamás Vati
Costume: Nikolett Bati
Visual: László Sátori
Lighting Designer: József Pető
Assistant to Choreographer: Attila Emődi
Assistant: Alexandra Kiss
Stage manager: Ildikó Hódos
Choreographed by Tamás Topolánszky
What do people really want? The answer is difficult, since we are constantly searching for a way out of a perfect world, the way back to Eden after our exile. The Eve & Adam performance addresses this universal question through the language of movement and the artistic representation of two young choreographers.
A Fata morgana gyönyörűen lidérces, apokaliptikus látomás a Teljességből önmagát száműző emberről. Elménket és lelkünket a kezdetektől fertőzi egy gyötrő gondolat: az én-tudat szülte elkülönültség, megosztottság és a bűntudat állandó harcba hajszol a világ ellen. Ez lett az örökségünk, és talán a végzetünk is. E szellemi pandémia oly régóta tart, hogy már észre sem vesszük, hisz beleszületünk. A fájdalmas romlásban azonban ott rejlik az átalakulás csírája – egy belső gyógyír újrafelfedezése: az együttérzés. Az empátia, ami nemcsak gyógyít, de visszaterel az emberi lét legmélyebb, legigazabb állapotához.
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