Our latest production was inspired by And Then There Were None, the best-selling novel by world-famous author Agatha Christie, which explores the concept of sin as a moral dilemma, built around ten symbolic signs of sin. more
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Last event date: Sunday, May 18 2025 7:00PM
The original work tells the story of a perfectly crafted and executed series of crimes, whose protagonists—and victims—are ordinary people who, willingly or unwittingly, have committed some kind of crime that has not been properly punished or absolved.
Reading the novel, the question arises: who is the real culprit and who is the real victim? How many crimes that affect us, our immediate environment, or even the whole of humanity take place right before our eyes? We see the clues, the signs of sin, but to no avail—we cannot or will not act, and the sinners continue to live their lives unbeknownst to others.
Our surreal new production helps individual fates unfold, prompting us to ask ourselves: are we victims or culprits, and can we do anything about either if we have been recognised or have been made to recognise them?
Performed by the dancers and guests of the Inversedance Company
Choreographed by Zoltán Fodor and the Inversedance
Music: Atilla Gergely
Scenography and lighting design: Zoltán Fodor
Set: Tamás Rákay
Costume: Diána Sára Veréb
Dramaturgy: Károly Juhász
Video: László Dinea
Production Manager: Zoltán Sándor
Technical Assistant: Attila Petróczy
„...a Héttorony mélyében fekszik a mérhetetlen kincs, melynek a Barát az őre; bizonyos éjeken látni őt völgyeket áthágó lépéssel, fejével a holdig felérve járni, s a kincshöz vivő kulcsokat kinálgatni. Ezen kincs magába foglalja mind azt, mi az isteni magyarföldön csak lelhető: aranyfákat, gyümölcsöt, szöllőgerezdeket, mindennemű állatot, bor helyett, iható folyékony aranyat, arany tyúkokat, hasonló tojást költve, arany köveket….” Ipolyi Arnold
The aim of FrenÁk’s Nostalg_Y is not to reminisce about a specific age group or to make the audience cry, but to engage the audience in an intellectual and emotional game of association, where no one knows exactly who will become what, but where imagination can help everyone create a story that fits their expectations. Through randomly colliding, interconnected fragments, we gain insight into what human relations are hidden in the interactions between different generations: for example, between two young individuals who carry their older selves within them and two older characters who carry the consequences of the decisions made by their younger selves.
A Pulcinella című táncszínházi előadás a commedia dell’arte hagyományaira épít, mely a műfaj mozgásvilágát táncszínházi eszközökkel ötvözi, így a gesztusok…
It takes all sorts to make a world. Both Physically and Spiritually. How well can you spot and accept diversity…
Carmen is the symbol of freedom. Her story is the drama of inextinguishable, uninhibited love.
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A Nemzeti Táncszínház fenntartója.
