Nowadays shopping centers seem to take their place, but market places used to play a central role in everyday life in each and every town, and Kolozsvár (today called Cluj-Napoca) was no different. Farmers sold their fresh vegetables, milk and butter, their services, and their animals here. People enjoyed themselves after having earned their wages with a hard day’s work.
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Friday, March 01 2024 5:00PM
Future husbands met their future wives, and everybody gossiped or just listened to the latest news.
For the 10th anniversary of the Hungarian Cultural Days of Cluj, the Hungarian State Folk Ensemble created the atmosphere of this imaginary market place on the stage. The piece cannot paint a full picture, but definitely inspires historical musings using the poetic language of folk dance and folk music.
Performed by the dancers and musicians of the Hungarian State Folk Ensemble, Participating as Guests
Soloists: Júlia Kubinyi, Milán Hetényi
Tale-teller: Pálffy Zoárd
Music: László Kelemen, István Pál Szalonna
Music Director: Tamás Nyitrai
Director of the Band: Ferenc Radics
Dance Troup Leader: György Ágfalvi
Dance Troupe Assistants: Beatrix Borbély, Katalin Jávor, Máté Farkas, Zoltán Zsuráfszky Jr.
Choreographed by György Ágfalvi, Richárd Kökény, Gábor Mihályi
Visuals: Kornél Papp
Directed and choreographed by Gábor Mihályi
Artistic Director: István Pál Szalonna
Ensemble Director: Gábor Mihály
Two bodies meet at one point. This point is now common. Two bodies, two people meet at this common point. They are touched. Being touched is like getting into something exceptionally sensitive, intimate, deep. In this moment, something really important, something essential happens. Something inside moves and changes.
What do people really want? The answer is difficult, since we are constantly searching for a way out of a perfect world, the way back to Eden after our exile. The Eve & Adam performance addresses this universal question through the language of movement and the artistic representation of two young choreographers.
A Fata morgana gyönyörűen lidérces, apokaliptikus látomás a Teljességből önmagát száműző emberről. Elménket és lelkünket a kezdetektől fertőzi egy gyötrő gondolat: az én-tudat szülte elkülönültség, megosztottság és a bűntudat állandó harcba hajszol a világ ellen. Ez lett az örökségünk, és talán a végzetünk is. E szellemi pandémia oly régóta tart, hogy már észre sem vesszük, hisz beleszületünk. A fájdalmas romlásban azonban ott rejlik az átalakulás csírája – egy belső gyógyír újrafelfedezése: az együttérzés. Az empátia, ami nemcsak gyógyít, de visszaterel az emberi lét legmélyebb, legigazabb állapotához.
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