BOLERO
Ravel’s music glows red and erupts like a pulsating volcano. BOLERO is a musical ‘orgasm’ with a spectacular arc that reaches its climax pulsating with ever-increasing tempo and dynamics.
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Last event date: Tuesday, December 19 2023 7:00PM
BOLERO
Ravel’s music glows red and erupts like a pulsating volcano. BOLERO is a musical ‘orgasm’ with a spectacular arc that reaches its climax pulsating with ever-increasing tempo and dynamics.
The French title of our ballet: Rouge. Red. Red lipstick. A symbol of femininity. Libido, Blood, Woman and Man, Life and Death.
The invisible made visible.
This ballet is an elemental expression of music.
CARMEN
This ballet performance focuses on basic human emotions such as love, jealousy, desire, seduction, as well as dominance arising between a man and a woman.
When creating the dance drama my goal was by no means to illustrate the eternal story of Carmen and Don José but to create a new quality by uniting music, dance and scenography (stage setting, costume, scenery, and lighting) through presenting the music peace composed from Bizet’s opera into a dance suite written by Rodion Schedrin.
I have created the piece to be a story that can be experienced, felt and understood at the same time.
Humour, irony and sarcasm are essential dramaturgical devices that I consider important and are noticeably present throughout the ballet.
Bolero
Performed by Cristina Porres Mormeneo, Chiara Malavasi, Noemi Gregnanin, Jelle-Johannes Hendrix, Gabriele Tamolli, Francesco Vitale Farris
Directed and choreographed by Attila Egerházi
Music: M. Ravel- Bolero
Set and Light design: Attila Egerházi
Costumes design: Andrea T. Haamer
Set implementation: Szelei Mónika
Rehearsal Ballet Masters: Cristina Porres Mormeneo
Carmen
Carmen: Cristina Porres Mormeneo / Chiara Malavasi
Don José: Gabriele Tamolli / Jelle-Johannes Hendrix
Michaela: Michela Piccinini / Carlota Izquierdo Gil
Torreádor: Francesco Vitale Farris
Captain Zuniga: Jelle-Johannes Hendrix / Gabriele Tamolli
Tobacco factory workers: Chiara Malavasi / Cristina Porres Mormeneo, Tae Sone, Noemi Gregnanin, Céleste Icket, Nina Sninská
Soldiers: Gijs Stenger, Juan Esteban Serna Espinosa, Julián Rico Engel
Choreographer: Attila Egerházi
Music: Rodion Shchedrin (Bizet nyomán)
Rehearsal Ballet Masters, Assistant to Choreographer: Cristina Porres Mormeneo
Costumes design: Andrea T. Hammer, Dusana Heráková
Light design: Attila Egerházi
Set Designer: György Árvai
Az adventi időszak újdonsága lesz Paár Julcsi és a Fitos Dezső Társulat ünnepre hangoló, élőzenével, hagyományos és kortárs táncelemekkel, autentikus és modern színpadi eszközök bevonásával készülő családi, táncszínházi előadása.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
In our age, almost everything is about appearances. What we look like, what we wear, where we live, what we own, where we go to eat, do sports, spend holidays, what status we hold in the world through what we own.
"One for All! All for One!” – There is no better-known slogan than the greeting of the three musketeers! The…
Compared to Swan Lake, the well-known version of the classical ballet, I wished to rephrase the piece from another aspect,…
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A Nemzeti Táncszínház fenntartója.
