What do people really want? The answer is difficult, since we are constantly searching for a way out of a perfect world, the way back to Eden after our exile. The Eve & Adam performance addresses this universal question through the language of movement and the artistic representation of two young choreographers.
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Last event date: Tuesday, May 06 2025 7:00PM
Act I: Eve
How can we yearn for anything if everything is optimal and complete in a world that has been created to be perfect? The only thing that can keep our world perfect is to not let our curiosity drive us off course. Can we achieve fulfilment without what is “bad”?
Can we live without this desire?
Act II: Adam
In the play, Adam and Eve search for a way back to the unity of Eden in today’s society, which has been divided and separated since the Fall. Their isolation has created in them a one-sidedness that breeds mistakes. However, the memory of Eden rekindles the flame within them, even though it is seemingly impossible to make any changes to society. Can they find their way back to where they would be whole: to themselves, to each other?
Act I: Eve
Choreographer: Krisztina Szőllősi
Dramaturge: Alexandra Csepi
Projection: Dorottya Szonja Koltay
Assistant: Judit Szalai
Costume Designer: Kata Szegedi
Lighting Designer: Lóránt Kiss
Featuring the dancers of the Ballet Company of Győr
Act II: Adam
Choreography, costumes, set design, lighting: Tamás Darai
Composer: Thomas Walschott
Assistant: Levente Bajári
Featuring the dancers of the Ballet Company of Győr
The production is supported by the National Dance Theatre, the Ministry of Culture and Innovation, and the National Cultural Fund of Hungary.
The performance will be followed by an audience meeting.
A box can hide many things, especially if we can passthrough it into another, fairy-tale, magical dimension. The protagonist of the piece tries to make friends in a game world and meets various puppets. He learns that they have the same emotions, the same bonds and relationships develop between them as if they were people, and maybe he can even fall in love with one of them.
“Rasa” is a Sanskrit word meaning “taste”.The word is used by Indian theatre aesthetics to define the experience that the spectator has during a performance. Just as there are many types of rasa, there can also be a wide variety of performance types. Today’s Indian classical dances all have ancient roots, traces of which can still be found in today’s performance styles.
Inspired by the songs of Kossuth and Jászai Mari Prize winner Judit Halász, the performance of the Central Europe Dance Theatre company is aimed at preschoolers and young school children.
Throughout his career, Zoltán Zsuráfszky has been in a dialogue of poems and movements. In his choreographies, the world of…
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