The performance of the Yvette Bozsik Company that is intended for adults was commissioned by the National Dance Theatre and it is based on the grotesque drama of the world-famous Romanian-French writer Matei Visniec. more
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Last event date: Sunday, February 18 2024 7:30PM
Two aged, long-neglected clowns arrive for a job interview. Filippo is the louder character, Niccolo is the gentle clown. In the pursuit of success, the bleak waiting room becomes a battlefield first, then an imaginary stage and finally a crime scene. The piece is a great opportunity for the Yvette Bozsik Company to create a grotesque, sad clown performance with its already iconic stylistic marks, starting from a prose piece, taking the form of a dance theatre and combining new impetus and energies, in which we commemorate love and the moments of passing by holding a mirror to ourselves and to the world.
The dance theatre performance, which is based on Visniec’s piece, is staged with dancers Tamás Vati and Yvette Bozsik, with the music written by Philippe Heritier and with the costumes made by Kriszta Berzsenyi, and the dance artists of the Yvette Bozsik Company also appear at an absurd clown banquet. In the play, humour and drama mix with circus elements, clown performance and commedia dell’arte motifs, coloured with acrobatic and lazzi elements. The final result is an absurd transition between humour, drama, theatre, circus and dance.
Performed by
Yvette Bozsik and Tamás Vati
and
Attila Kalmár, Ádám Zambrzycki, Anna Bujdosó, Milán Maurer, Szabolcs Gombai, Dóra Hasznos, Brigitta Hortobágyi, Samantha Kettle, Dániel Krizsán
Music: Philippe Heritier
Lighting: József Pető
Space: Tamás Vati
Costume: Krisztina Berzsenyi
Creative Producer: Marcell Iványi
Directed and choreographed by Yvette Bozsik
We get an insight into the ritual-filled life of barbarian settlement trying to seek out a living on the ruins of a civilisation and fighting for survival, fighting with their fears, trying to live through all things fate brings on to them.
VASAS DANSE: Closed Doors The presence of another person is a stimulus on stage. A stimulus that immediately becomes a question, a challenge, an attack. When two people meet, values, customs, traditions, and languages always come together. Expectations. The compulsion to meet other’s expectations. I have to make room within myself for the other person, who can only find meaning within me according to my own rules and my own axis of experience. That is how my own existence is reinterpreted in the other.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
Rhapsody as a genre is characterized by caprice and the passionate undulation of emotion, thoughts, and the freedom of expression.…
Once again, a talented new generation of creative artists with a serious devotion to folk dance has grown up.
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