long: Yeonhee project I : Traditional performance & modern dance
Performers/dancers wear objects such as traditional percussion instruments as accessories and transform traditional elements when they come and go in a long space where street play is transformed. The audience faces both sides of the runway, actively appreciating the crossing of boundaries between tradition and modernity, performance and dance.
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Last event date: Friday, September 27 2024 7:30PM
The traditional meaning of the five colors of the Yeonhee costume is reinterpreted with the contemporary sensibility of the participating artists. The overall structure of beginning-dissolution-gesture, coldness-circularity-movement, freedom-explosion-energy, coldness-fear-silence, source-harmony is a musical interpretation, and it contains a message about dissolution and coexistence that pervades the entire performance.
INTRO
Among the traditional representations, the performed goes a long way. Arriving in the space, the performers and dancers begin the fashion show by taking off the traditional attire. Yeonhee's movements and objects are reinterpreted.
○White[白]-
White is nothing and is the first.
Blue [靑] -
The blue color of spring, joy, wind, generosity.
Red [赤] -
Explosive pleasure / "Red means noon, laughter, joy and brightness.
Black [黑]-
“Black symbolizes night, winter, fear and cold. Fear comes and goes suddenly, in another form.
Yellow [黃] -
“Yellow symbolizes the center, the afternoon and faith in the five elements.
Perfomer:
Park Seho,
Yi Myongmo,
Son Eungyo,
Park Suyeon
Director: Lee Inbo
Choreography: Shim Juyoung
Composer: Ju Junyoung
Scenographer: Lee Hwisoon
Lighting design: Jo Chulmin
Partner: Korean Cultural Center
The next stop of our Live Dance Archive series, marked by the name of Zoltán Zsuráfszky, will be presented under the title Viharsarok, this time directed by Gergő Sánta, dance leader of the Hungarian National Dance Ensemble.
“… for they were at hand, yet unreacheable, present, yet ungraspable …” (Krasznahorkai László)
„...a Héttorony mélyében fekszik a mérhetetlen kincs, melynek a Barát az őre; bizonyos éjeken látni őt völgyeket áthágó lépéssel, fejével a holdig felérve járni, s a kincshöz vivő kulcsokat kinálgatni. Ezen kincs magába foglalja mind azt, mi az isteni magyarföldön csak lelhető: aranyfákat, gyümölcsöt, szöllőgerezdeket, mindennemű állatot, bor helyett, iható folyékony aranyat, arany tyúkokat, hasonló tojást költve, arany köveket….” Ipolyi Arnold
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