Lisztmania
This piece takes the spectators into a special space, where the venue is the world of imagination. An elusive existence in which the admired musical genius appears in the world of our time, where values are often incomprehensibly mixed.
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Last event date: Wednesday, December 14 2022 7:00PM
The choreographer and our ensemble approach the heritage of the world-famous son of our country with respect. Zachár startedhis career at the Budapest Dance Theatre, then worked with the biggest choreographers in the Netherlands. In the piece, the souls of the creators get connected across time and space.
"Lisztomania"is an expression by Heinrich Heine, which he used with some mockery in a newspaper article. He suggested that Liszt’s concert virtuoso career in the 1840s revoked abnormal reactions from his fans. Liszt was the first megastar to consciously build his image, performing a solo concert for the first time, where he was the only one to perform, turning the piano sideways, which had been backwards to the audience, and dazzled even his enemies with his fireworks-like virtuosity and deep feelings. But he did all this not for the sake of self-aggrandisement but to increase the power and the social appreciation of art. The choreographer and our ensemble approach the heritage of the world-famous son of our country with respect and pride.
Performed by Donát Varga, Alexandra Sághy, Noámi Hörcher, Yvette Levine, Marika Trucci, Marika Masuda, Maria Borges, Matthew Bell, Bendegúz Varga, Damien Ledenon
Music: Liszt Ferenc, montázs
Light design: Földi Béla
Choreographed by Zachár Lóránd
Raza Hammadi: Paprika
Raza Hammadi's artistic approach favours the encounter, confrontation andfusion of different choreographic, aesthetic and musical languages. The result of his approach is reflected in his choreographies, which take a multifaceted view of life paths, the complexity of human relationships and the practices that result from them.
The mixing ofcultures, the free spirit and tone are the elements in his works that contribute to creating new aesthetic forms and a better understanding of peoples and their imaginations.
Raza Hammadiconfronts the dancers of the Budapest Dance Theatre with their own culture, focusing on Hungarian music and dance traditions. Lots of slim, free bodies on one stage, with clean decoration.
Dance and soundelevate the space to a third dimension thanks to the music of Maxime Augais, a composer who has worked with Raza Hammadi for many years.
Performed by Alexandra Sághy, Noémi Hörcher, Yvette Levine, Marika Masuda, Donát Varga, Bendegúz Varga, Matthew Bell, Damien Ledenon
Music: Maxime Augais
Choreographed by Raza Hammadi
We get an insight into the ritual-filled life of barbarian settlement trying to seek out a living on the ruins of a civilisation and fighting for survival, fighting with their fears, trying to live through all things fate brings on to them.
All aboard! The Wind Queen sets sail at dawn. The destination is Dormouse-Port, the largest harbour in the world. As captain of the ship, I’m recruiting keen, happy, diligent and witty sailors! Our journey won’t be without peril, as we have to cross the Goo-Sea, and we might not steer clear of the Dragon-strait either; nonetheless, our mission is crucial! So waste no time, come aboard the Wind Queen for an extraordinary voyage!
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
“… for they were at hand, yet unreacheable, present, yet ungraspable …” (Krasznahorkai László)
Ever since God gave Adam a companion, fashioned from his rib, in Paradise, the order of the world has been…
EXISTENCE is a tango dance theatre work that follows along the journey of human life—from the drifting impetus of youth…
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