Program


Circle Dance - Hungarian State Folk Ensemble - House of Traditions

Circle Dance - Hungarian State Folk Ensemble - House of Traditions

The performanceof the Hungarian State Folk Ensemble was created in memory of the Trianon peace treaty that was signed a hundred years ago.  more

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Last event date: Friday, February 16 2024 7:00PM

Inspired by the folklore of the Hungarians of the Carpathian Basin and the nationalities living in a community of fate with them (Romanians, Slovaks, Serbs and Croats, Swabians, Rusyns, Jews and Gypsies), the anthology-style selection tours and dances around the Highlands, Transcarpathia, Transylvania, the Southern Parts and "Little Hungary". Believing in the unquestionable reality of togetherness, it presents the peasant heritage and the unparalleled cultural and spiritual assets bequeathed to us by the millennial coexistence as a wide-ranging panorama.

Performed by the dancers and musicians of the Hungarian State Folk Ensemble, Participating as Guests

Soloists: Pál Eszter, Hetényi Milán

Guest Participant: KOLO Band

Music Editor: Gergely Agócs, Attila Gera, László Kelemen, István Szalonna Pál

Composer: László Kelemen 

Choreographers: Dezső Fitos, Rita Furik, Enikő Kocsis, Richárd Kökény, Gábor Mihályi, Mihály Richtarcsik 

Director of the Band: Ferenc Radics 

Dance Director: György Ágfalvi 

Assistants to Dance Director: Beatrix Borbély, Katalin Jávor, Máté Farkas, ifj. Zoltán Zsuráfszky

Artistic Director: István Szalonna Pál

 

 

Director and choreographer, Company Director: Gábor Mihályi 

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A Kulcsár Noémi Tellabor társulat tagjai egy varázslatos világba kalauzolják kis nézőiket. A Mikulás épp úton van, hogy minden jó gyermeknek csokoládét és kis játékokat ajándékozzon. De aztán igen nagy slamasztikába keveredik: defektet kap a szánja! Lesz vajon, aki segíthet rajta?

This production of the FrenÁk Company features adynamic team, the members of a new generation. The young, creative dancers draw on the energies of their colourful cultural and linguistic differences as they bring a new creative approach to FrenÁk’s concept. It is a fusion of the arts, a multimedia work with two contrasting yet complementary parts that reflect on the contradictions of our times.

The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same time the second half of the 19th century was also a period known for the spreading of mental hospitals; patients 'possessed' by animal spirits and treatments of mental illnesses by torture and other bizarre methods.

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