We can see four young girls on stage. Sometimes simultaneously, sometimes alternately. Sometimes they pass the "baton" to each other. With music, singing, dancing, movements. Sometimes they encourage, sometimes they dominate each other. Sometimes they get closer and sometimes they move away, but they always yearn: for a connection, a man, or even for separation, independence. more
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Last event date: Thursday, January 25 2024 7:30PM
In 2024, the Duna Dance Workshop is once again going to present a new performance directed by the company's artistic director, and this time again the production will be born through the collective creative process of contributors from different artistic fields.
Zsolt Juhász strongly relied on relativising the role of female dance forms and choreographies subordinated to male dance in the authentic folk dance of Hungary (and several other nations) already in his performance The tenth bride in 2021. The seven female actors portray seven different characters, their individuality shape the choreographies and vice versa.
The choreographer wants to continue this path with his new play titled Singles – but the focus of the performance is on the feminine principle itself instead of the initiation rite and the girl becoming a woman. The number of performers refers to the number of seasons and cardinal points and, through this, to the close relationship between women and nature.
At the same time, the four female actors come from different artistic fields, dance, folk music, jazz and prose performance, so, in fact, the Duna Dance Workshop is preparing for its strongest multidisciplinary performance to date.
Performed by Izabella Caussanel, Anita Kovács, Lilla Orbay, Anita Vrencsán
Music: Ephemere - Izabella Caussanel, Lilla Orbay, Lajos Papp, Ötödik Évszak, Claude Debussy
Text: Dorota Masłowska, Magda Szabó
Dramaturgy: Anita Németh
Visuals: JuZso
Light: Károly Lendvai
Assistant to Director: Ifj. Sándor “Sündi” Csoóri
Production Manager: Fanni Nánay
Choreographed and directed by Zsolt Juhász
„...a Héttorony mélyében fekszik a mérhetetlen kincs, melynek a Barát az őre; bizonyos éjeken látni őt völgyeket áthágó lépéssel, fejével a holdig felérve járni, s a kincshöz vivő kulcsokat kinálgatni. Ezen kincs magába foglalja mind azt, mi az isteni magyarföldön csak lelhető: aranyfákat, gyümölcsöt, szöllőgerezdeket, mindennemű állatot, bor helyett, iható folyékony aranyat, arany tyúkokat, hasonló tojást költve, arany köveket….” Ipolyi Arnold
Zsófia Pirók was the first Hungarian to earn a degree in flamenco dance from the Conservatorio Profesional de Danza in Seville. Her performances have been featured both in Hungarian and in international theatres and tablaos. In 2019, she was awarded the title Best Dancer of the Season from the Association of Hungarian Dance Artists. Her premieres are part of the programme at the National Dance Theatre Budapest, where she represents the highest level of the art of flamenco in Hungary.
The aim of FrenÁk’s Nostalg_Y is not to reminisce about a specific age group or to make the audience cry, but to engage the audience in an intellectual and emotional game of association, where no one knows exactly who will become what, but where imagination can help everyone create a story that fits their expectations. Through randomly colliding, interconnected fragments, we gain insight into what human relations are hidden in the interactions between different generations: for example, between two young individuals who carry their older selves within them and two older characters who carry the consequences of the decisions made by their younger selves.
Ever since God gave Adam a companion, fashioned from his rib, in Paradise, the order of the world has been…
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
Two deceptively similar suitcases end up in the wrong hands. That is how the characters embark on an adventurous journey…
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