Cuban Eclectico - Acosta Danza
The CUBAN ECLECTICO programme showcases a cross-section dance and the Cuban way of life. more
The CUBAN ECLECTICO programme showcases a cross-section dance and the Cuban way of life. more
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Last event date: Sunday, May 05 2024 7:00PM
Acosta Danza mixes classical ballet and contemporary dance with flamenco, and Afro-Cuban styles. Raul Reinoso’s SATORI undertakes an inner journey to spiritual enlightenment, to the discovery of inner truth, beauty and light.
Sidi Larbi Cherkaoui’ Faun gives form to the juxtaposition of human and animal elements. This duet shows the duality of male and female energy simultaneously discovering and taunting each other. Pntus Lidberg’s PAYSAGE celebrates youth from dusk until dawn. carried by a score from Leo Brouwer inspired by rumba rhythms. Traditional cultural heritage meets modern dance in Impronta combining contemporary and Afro-Cuban folk dances.
The program ends with DE PUNTA A CABO and the entire dance ensemble on stage. Set against a projection of Havana's stunningly beautiful waterfront, the Malecón, this piece reveals all the contradictions of contemporary Cuban society.
OTHER STAFF
Stage Manager – Jenny Wheeler
Assistant Stage Manager – Eduardo Peon
LX Engineer – Pedro Benítez
Sound Engineer – Pepe Gonzalez
Wardrobe Manager – Yunet Uranga
Company Manager – Rayselis Pupo
Teacher – Veronica Corveas
Satori
Choreography: Raúl Reinoso
Assistant Choreographer: Clotilde Peón
Music: Pepe V. Gavilondo
Musical composition: Pepe V. Gavilondo and Raúl Reinoso
Costume Design: Angelo Alberto
Light: Fabiana Piccioli
Cast: Zeleidy Crespo, Adria Díaz, Jennifer Suarez, Amisaday Naara, Daniella Urgelles, Raúl Reinoso, Brian Ernesto, Frank Isaac, Denzel Francis, Brandy Martinez
Faun
Choreography: Sidi Larbi Cherkaoui
Rehearsal: Daisy Phillips and Daniel Proietto
Music: Claude Debussy with additional music by Nitin Sawhney
Costumes: Hussein Chalayan
Light: Adam Carrée and Pedro Benítez
Light Designer: Pedro Benítez
Cast: Patricia Torres/ Alejandro Silva - Amisaday Naara/ Brandy Martinez - Jennifer Suarez/ Frank Isaac
Paysage
Choreography: Pontus Lidberg
Music: Leo Brouwer (Cuban Landscape with Rumba) and Stefan Levin (Cuban Landscape)
Playwright and Choreographer Assistant: Adrian Silver
Scenography: Elizabet Cerviño
Costume Design: Karen Young
Lighting Design: Patrik Bogårdh, Pedro Benítez
Cast: Raúl Reinoso, Brian Ernesto, Denzel Francis, Alejandro Silva, Brandy Martinez, Frank Isaac, Patricia Torres, Amisaday Naara, Adria Díaz, Jennifer Suarez, Daniella Urgelles
Impronta
Choreography: María Rovira
Music: José V. Gavilondo
Lighting Design: Pedro Benítez Cast: Zeleidy Crespo / Amisaday Naara / Daniella Urgelles
De Punta a Cabo
Choreography: Alexis Fernández (Maca), Yaday Ponce
Music: Kumar, Kike Wolf – From Beautiful Cuban by José White and Omar Sosa
Costumes: Vladimir Cuenca Lighting: Yaron Abulafia
Lighting Design: Pedro Benítez
Cast: Zeleidy Crespo, Patricia Torres, Adria Díaz, Jennifer Suarez, Amisaday Naara, Daniella Urgelles, Raúl Reinoso, Alejandro Silva, Brian Ernesto, Frank Issac, Denzel Francis, Brandy Martinez
Producer: Valid Productions Limited
Thanks to the Győr Percussion Ensemble for providing the drums needed for the performance.
A Fata morgana gyönyörűen lidérces, apokaliptikus látomás a Teljességből önmagát száműző emberről. Elménket és lelkünket a kezdetektől fertőzi egy gyötrő gondolat: az én-tudat szülte elkülönültség, megosztottság és a bűntudat állandó harcba hajszol a világ ellen. Ez lett az örökségünk, és talán a végzetünk is. E szellemi pandémia oly régóta tart, hogy már észre sem vesszük, hisz beleszületünk. A fájdalmas romlásban azonban ott rejlik az átalakulás csírája – egy belső gyógyír újrafelfedezése: az együttérzés. Az empátia, ami nemcsak gyógyít, de visszaterel az emberi lét legmélyebb, legigazabb állapotához.
What do people really want? The answer is difficult, since we are constantly searching for a way out of a perfect world, the way back to Eden after our exile. The Eve & Adam performance addresses this universal question through the language of movement and the artistic representation of two young choreographers.
The forest was covered with soft, pure white snow and with the quiet dance of the falling snowflakes the exciting preparations for Christmas has begun. Meanwhile, Vackor – as all the bears at this time of the year – is getting ready for the big winter sleep, but as he crawles into bed he notices a beautiful star, shining brighter than anything he had seen before.
Once upon a time, there was a widow who had two daughters.
Yvette Bozsik’s solo performance was inspired by Mineko Iwasaki, the protagonist of Memoirs of a Geisha. The performance takes viewers…
What we present is not the story of Kahlo’s life but an independent visual theatre vision inspired by her art…
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