“Dost thou take this for a Tragedy? Thou shalt take it as a Comedy, and it shalt amuse thou.” With these lines from his drama, Imre Madách might as well have been referring to scenes from A Midsummer Night’s Dream. more
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Last event date: Sunday, December 10 2023 7:00PM
Shakespeare’s enigmatic play abounds in ambiguous situations, which can only be seen as sad or cheerful depending on your point of view. A brilliant theatrical mind, Shakespeare is not only a great poet but also knows everything there is to know about human nature. He sees our lives as at once beautiful and ugly, poetic and vulgar, dramatic and comic, sublime and petty, pitiful and ridiculous. He depicts humans and fairies, squabbling princes and striving craftsmen, happy and unhappy lovers, lonely elves and tangled couples, showing their current sorrows and joys. One thing they all have in common is that they are all seeking happiness in the Athenian forest on this magical midsummer night. Some succeed, others less so. But they never give up – they search for happiness as long as they can. Often they find themselves in ridiculous situations, which of course they see as tragic until a new morning dawns, and in broad daylight every success and failure shows a different face from the one it did in the dark of night. The troubles are no longer so dramatic, the problems are no longer so insoluble, and they can once again take heart from themselves and each other. But most of all, we can laugh with the characters at ourselves, because they are really us, and we realise that the point is, “Life is beautiful... Do I need to explain?”
Performed by Kecskemét City Balett
Puck - Nikolett Nagy
Demetrius, suitor to Hermia - MIlán Földesi
Heléna,in love with Demetrius - Laura Gömöri
Lysander, in love with Hermia - László Pavleszek
Hermia, daughter of Egeus, in love with Lysander - Jusztina Bakonyi
Oberon King of the Fairies - Martin Raj
Titánia tQueen of the Fairies - Lotti Varga
Theseus Duke of Athens- Norbert Szigethy
Hyppolita Queen of the Amazons - Luca Hoffmann
Zuboly - Rancz Illés
Egéus, Indian changelin: Málna Csató
Fairies: Tícia Szonja Weisz, Mála Csató
Craftsmen - István Takács, Illés Rancz
Music: Henry Purcell
Sound: Pál Kocsis m. v.
Set - costume Designer: Ildikó Tihanyi
Light Designer and Assistants to Choreographer: Zoltán Katonka
Consultant: Attila Galambos, Tamás Szabó
Assistant Director: Szabina Murár
Directed and choreographed by Dóra Barta
Zsófia Pirók was the first Hungarian to earn a degree in flamenco dance from the Conservatorio Profesional de Danza in Seville. Her performances have been featured both in Hungarian and in international theatres and tablaos. In 2019, she was awarded the title Best Dancer of the Season from the Association of Hungarian Dance Artists. Her premieres are part of the programme at the National Dance Theatre Budapest, where she represents the highest level of the art of flamenco in Hungary.
The next stop of our Live Dance Archive series, marked by the name of Zoltán Zsuráfszky, will be presented under the title Viharsarok, this time directed by Gergő Sánta, dance leader of the Hungarian National Dance Ensemble.
Kizökkent az idő…, ahogy Shakespeare-nél szokott. De, míg Hamlet azzal a bizonyossággal lép a színpadra, hogy általa még helyretolható – Lear az első pillanatban elveszti a csatát. Nem fokozatosan fog széthullani; az egykori nagy király és magabiztos férfi egyetlen pillanat alatt semmisül meg, amikor imádott felesége sírba száll. Darabbéli útja innen csak tántorgás a végső nyughely felé. Hangulat ingadozásai, átkai, dührohamai, de még kétségbeesett kapaszkodási kísérlete is lányaiba – mind a pótolhatatlan űrrel magyarázhatók. Képtelen tovább a kormányzásra; így válik a birodalom felosztása kényszerűvé. Nincs előre eltervezettség és racionális döntés, csak kapkodó improvizálás.
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy…
VASAS DANSE: Closed Doors The presence of another person is a stimulus on stage. A stimulus that immediately becomes a…
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A Nemzeti Táncszínház fenntartója.
