In our age, almost everything is about appearances. What we look like, what we wear, where we live, what we own, where we go to eat, do sports, spend holidays, what status we hold in the world through what we own. They define our identity. more
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Last event date: Tuesday, February 20 2024 7:30PM
We collect objects in our "perfect" world, with a perfect smile on our face. And we also keep showing them. Ourselves, our clothes, our apartment, our programmes, our habits, our trips, our lunches, our dinners, our holidays, our children, our partner, our friends, our memories, our desires.... We create a big social picture book about ourselves. For others. Everyone can watch it. Like a never-ending catwalk.
We march with our photos and videos, we shine and glitter, sometimes we stumble, but keep moving on in the limelight.
Performed by Ádám Bot, Zsófia Temesvári
Musical contribution: Atilla Gergely
Light Designer: Máté Vajda
Choreographer: Klári Pataky
The inspiring influence of the exciting, ever-popular South American musical rhythms and their non-traditional use has long been present in Tamás Topolánszky’s choreographic approach. This new production uses original melodies and Hungarian-language works by Hungarian composers, with an exciting combination of music written for the production.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
A Csitrakárí (A festőnő) című darabot egy magyar származású indiai festőnő művei ihlették. Az előadás képei azonban nem ecsettel, hanem a tánc eszközeivel készültek. Ezek a képek múlandó emléket állítva tisztelegnek egy hosszú és termékeny művészi út előtt. Brunner Erzsébet festményei a tánc segítségével megelevenednek, és tovább mesélik azt a pillanatot, amit festőjük megragadott. A képek egy életútról beszélnek, szellemi és fizikai utazásról az érdeklődéstől, ismerkedéstől, az élményeken és felismeréseken át elért szintézisig, az út végéig – a feloldódásig.
Humanity has grown too distant from its original, natural environment. While we yearn for a more harmonious existence, we are…
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
The first joint fairy tale of Zsuzsa Zs. Vincze and Zoltán Zsuráfszky not only revolutionised folk dance performances for children…
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