The aim of FrenÁk’s Nostalg_Y is not to reminisce about a specific age group or to make the audience cry, but to engage the audience in an intellectual and emotional game of association, where no one knows exactly who will become what, but where imagination can help everyone create a story that fits their expectations.
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Friday, May 02 2025 7:30PM
Through randomly colliding, interconnected fragments, we gain insight into what human relations are hidden in the interactions between different generations: for example, between two young individuals who carry their older selves within them and two older characters who carry the consequences of the decisions made by their younger selves. They include humorous scenes that veer into the absurd, never allowing anyone to take the natural trials that life throws at us too seriously. Even if the roads are sometimes bumpy, the message is clearly positive: every age has its own beauty and its own potential to live up to its full potential. Those who are capable of this do not experience the tragedy of advancing age. We just have to sometimes dare to look into ourselves with a magnifying glass while viewing others with rose-tinted glasses, so that we can experience what is perhaps unimaginable to a rational mind.
Contributors: Gergely Cserháti, Eoin Mac Donncha, Pál Frenák, Katalin Lőrinc, Emma Lőrincz
Concept, Choreography: FrenÁk
Composer, Musical Concept: Attila Gergely
Dramaturge: Dr. Nóra Horváth
Rope Access: György Zoltai
Visuals: Frenák Victoria
Sound Technology: András Horváth
Lighting: József Pető
Stage Master: Balázs Filep
Production Assistant: Gergő Nyári
The performance will be followed by an audience meeting.
Bármerre járjak is, a helyet, a kultúrát, az arcokat, a pillanatokat már örökre viszem tovább magammal. Az élmények velem jönnek, épp úgy, ahogy a múltat is magunkkal visszük. Ami ma a jelenem, holnap a múltammá válik. De melyik másodperc az, mely a kettőt elválasztja?
Carmen is the symbol of freedom. Her story is the drama of inextinguishable, uninhibited love.
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same time the second half of the 19th century was also a period known for the spreading of mental hospitals; patients 'possessed' by animal spirits and treatments of mental illnesses by torture and other bizarre methods.
Yvette Bozsik’s solo performance was inspired by Mineko Iwasaki, the protagonist of Memoirs of a Geisha. The performance takes viewers…
I have long wanted to find my way in the maze of self-knowledge, or at least to find meaning for…
Once upon a time, there was a widow who had two daughters.
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