Our new performance is based on Lois Lowry’s novel The Giver, set in a society which at first appears to be utopian, where everything seems to be going perfectly well. Free of injustice, crime, violence and hunger, this is a society where people can live in harmony. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Tuesday, May 07 2024 7:00PM
But it’s only an illusion – a utopia for people deprived of knowledge. Slowly, signs are emerging that highlight the anti-utopian characteristics lurking behind this ideal world. In an unreal world, how much room is there for emotion? We ask this question, and perhaps it is the fear behind the answer that makes us speak the truth: Hide reality so that your emotions always align with expectations. In our new play, we want to create an emotional ocean with a strange atmosphere, balancing on the border between dreams, utopia, surreality and reality. It all takes place in a space where the mask of perfection is slowly being washed away by a reality in which one can finally begin to live.
Choreography by Zoltán Fodor, and Inversedance-Zoltán Fodor Company
Music: Gergely Attila
Scenery and Light design: Zoltán Fodor
Set design: Tamás Rákay
Costume design: Sára Diána Veréb
Video: László Dinea
Dramaturge: Károly Juhász
Technician: Attila Petróczi
Performed by Inversedance-Zoltán Fodor Company, and Guest artists
Hinta, hinta, tündérhinta, repül, szárnyal a magasba… Ha az ember hintába ül, rokon lesz a madarakkal, szivárványszín pillangókkal, kitágul a láthatára, a lentet a fent leváltja. Aztán újra ringat a hinta, fel – le – fel -le, ahogy egykor anya karja. Félelmek és szorongások huss eltűnnek, elrepülnek. A tündérhinták táncosokkal nagyon egy húron pendülnek.
Törés/vonalak: A japán eredetű szó, a kintsugi a tökéletlenségben rejlő szépséget jelenti meg, amelynek fő ismérvei az asszimmetria, a hiányosság, valamint az egyszerűség dicsérete.
Yvette Bozsik’s solo performance was inspired by Mineko Iwasaki, the protagonist of Memoirs of a Geisha. The performance takes viewers into the lonely, secretive, and personal world of Women of Dance and Art, the memoir of an elderly dancer who always danced with her whole soul. Yvette Bozsik’s iconic partner, Tamás Vati, also features in the performance, which reveals the inner work of a dancer’s self-knowledge, rituals, inner vibrations, and secrets in the triple unity of body, soul, and spirit. Yvette Bozsik’s solo performance was inspired by the autobiography Geisha of Gion by Mineko Iwasaki, the protagonist of the world-famous book and film Memoirs of a Geisha.
Throughout his career, Zoltán Zsuráfszky has been in a dialogue of poems and movements. In his choreographies, the world of…
“… for they were at hand, yet unreacheable, present, yet ungraspable …” (Krasznahorkai László)
What we present is not the story of Kahlo’s life but an independent visual theatre vision inspired by her art…
item(s) in basket
total:
Time limit has expired. Please, put item(s) in to basket again.
A Nemzeti Táncszínház fenntartója.
