Around the World in 80 Days - Budapest Dance Theatre
The characters, the story, the topics and the message of the deservedly world-famous piece, talk of eternal human characteristics. more
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Last event date: Tuesday, February 13 2024 10:30AM
The positive features of the main character, Phileas Fogg, are human characteristics that our children and young people should be taught every day. During the trip around the world the piece introduces different cultures, life situations and a variety of dances in our interpretation to the audience. The non-verbal language of dance helps to introduce the diversity of the world, cultural characteristics and common human values. At the end of the tale, just as it should be, goodness prevails. It transpires that the aim is the journey itself and from all the options love is victorious, which our hero finds in the person of an Indian princess.
Performed by
Phileas Fogg: Matthew Bell
Passepartout: Donát Varga
Princess Auda: Alexandra Sághy
Detective Fix: Bendegúz Varga
and the Budapest Dance Theatre Junior Ensemble
Narrated by Zoltán Boros
Costumes Designer: Zsófia Varjas
Set Designer: Zsuzsa Molnár
Assistant to Choreographer: Alexandra Sághy
Directed and choreographed by Béla Földi
Our offer
RAMAZURI, the dazzling show will make you laugh, will cheer and charge you up. It is a remarkable and grandiose dance-circus cavalcade dubbed with live music and acrobatic elements that tune up the witty and joyful choreographies.
Rhapsody as a genre is characterized by caprice and the passionate undulation of emotion, thoughts, and the freedom of expression. Hungarian Rhapsody incorporates all of the peculiarities of thegenre, relying on tradition, and drawing inspiration from it, to create a special and unique dance rhapsody. The colorful diversity of the Hungarian peasant traditions appear in dynamically alternating images – the acrobatics of the male dances, the poetry of the female dances, and the virtuosity of the couples’ dances. The most beautiful melodies of folk culture surface at times as dance accompaniments, or as whimsical solos, and at other times as tempestuous orchestral play.
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same time the second half of the 19th century was also a period known for the spreading of mental hospitals; patients 'possessed' by animal spirits and treatments of mental illnesses by torture and other bizarre methods.
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