6.Body.Radical korean Night – Film Screening
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Last event date: Friday, September 27 2019 6:00PM
Batarita - Water Drop in the Fish-Eye
Based on the philosophical thought and the dance piece with the same title premiered on 2 December, 2015, in Budapest, by the National Dance Theater Hungary.
„I am man and woman.
I am human and animal.
I am East and West.
I am beauty and ugliness.
I am pleasure and pain.
I am creation and destruction.
I am possession and remittal.
I am love and hate.
I am God and mote.
Everything is complet like this.”
Batarita
JI Kyungmin - I am a Goblin
The film which tried to move the energy of a dance performance to video using a long take technique.
KIM Shon - Bookanima: Dance
Bookanima,a compound word of ‘Book’ and ‘Anima’, is the project to give book new cinematic life. It aims ‘Watching Book’ in the third scope between Book and Cinema through Locomotion based on Chronophotography. Ballet-Korean dance-modern dance - jazz dance - aerial silk - tap dance - aerobic - disco - break dance - hip hop - social dance.
KIM Seunghee - Mirror in Mind | Sim Gyeong
A woman looks into her mind, chasing her ideals on a tight rope. Every imperfect piece of her mind completes herself.
KIM Hyonok - Ode on a Korean Urn
In the film the Korean Urn is used as a metaphoric object, visually and audibly in a poetic way. In ancient times people communicated through drumming. In the dance, the urn becomes an instrument of percussion and the symbol of global communication. It conveys longing for home and hope.
The dance films from Korea are in co-operation with Parallel Art Foundation.
Batarita - Water Drop in the Fish-Eye 2016 (H-KR-R)
Written and directed by Batarita (H)
Camera and editing by Constantin GEORGESCU (R)
Choreographer: Batarita
Dancers: Batarita, PYO Sangman (KR)
Music: PYO Sangman, XRC KOVÁCS Balázs (H)
Costume: HORNYÁK Isty (H)
Distributor, producer: Touchpoint Art Foundation
Premier: 26th Mediawave International Film and Music Festival competition program of HUNGARIAN DANCE AND EXPERIMENTAL FILMS / 27 April, 2016
JI Kyungmin - I am a Goblin 2018 (KR)
Director : JI Kyungmin
Film, Music, Editor : LIMVERT
Co-creators: LEE Jusung, LIM Jinho, LIM Sungeun, LEE Kyunggu, AHN Hyunmin, LEE Yeonju, PARK Sojin Park
Premier: “Take” Dance film project in Seoul Dance Center
Award: “The most experiment award”, INFANT Festival, Novi Sad, Serbia, 2019
KIM Shon - Bookanima: Dance 2018 (KR)
Director, choreographer, editor and sound: KIM Shon
Producer: SHON KIM Studio
Awards: Best Art/Experimental Film, San Francisco Dance Film Festival; Innovation Award, Bucharest International Dance Film Festival; Best Director Award, Seoul Dance Film Festival; Honorable Mention, INOUTFestival; Special Mention, ROLLOUT Dance Film Festival
KIM Seunghee - Mirror in Mind | Sim Gyeong 2014 | (KR)
Awards: Best Animated Short, Indie Memphis, USA; Best Non-narrative Animation, ANIMA - Córdoba International AnimationFestival, Argentina; SungjooFirstPrize, SeoulInternational Women's Film Festival, South Korea; Excellence Award for Best Picture, Korean competition, Busan International Short Film Festival, South Korea; Best Animated Short, Albany Film Fest, USA; 1st place winner in Experimental or Music video, Boomtown Film and Music Festival, USA; Innovationaward, No Budget Film Festival, USA
KIM Hyonok - Ode on a Korean Urn 2011 (KR)
Director: KIM Hyonok
Performers: YOO Jihong, CHUNG Marie, NAM Dabin, KWAK Dajung
Producer: KIM Hyonok
Cinematographer: LEE Dongsam
Editor: Jean De BOYSSON
Composer: KWON Eunsil
Our offer
Yvette Bozsik’s solo performance was inspired by Mineko Iwasaki, the protagonist of Memoirs of a Geisha. The performance takes viewers into the lonely, secretive, and personal world of Women of Dance and Art, the memoir of an elderly dancer who always danced with her whole soul. Yvette Bozsik’s iconic partner, Tamás Vati, also features in the performance, which reveals the inner work of a dancer’s self-knowledge, rituals, inner vibrations, and secrets in the triple unity of body, soul, and spirit. Yvette Bozsik’s solo performance was inspired by the autobiography Geisha of Gion by Mineko Iwasaki, the protagonist of the world-famous book and film Memoirs of a Geisha.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
What we present is not the story of Kahlo’s life but an independent visual theatre vision inspired by her art and career about a dramatic but also colourful and lively world.
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