„Quotation Marks”
The last act is a dance theatre piece “Quotation Marks”, performed by the Székesfehérvár Ballet Theatre.
NOMADS
This contemporary ballet piece exploresthe theme of wandering.
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Last event date: Friday, April 19 2024 7:00PM
„Quotation Marks”
The last act is a dance theatre piece “Quotation Marks”, performed by the Székesfehérvár Ballet Theatre. Attila Egerházi has created a choreography based on excerpts adapted by contemporary writer and poet László L. Simon from his own book. The choreography captures and visualises the elusive, sometimes almost unspeakable thoughts and feelings suggested by the writer, while the message encoded in the text is revealed in a way that is comprehensible to the human soul and comes to life through dance poetry. As in the ballet production adapted from famous Hungarian author István Örkény’s writings, the literary text is strongly emphasised in this choreography, too, complemented by musical interludes.
NOMADS
This contemporary ballet piece exploresthe theme of wandering. Almost everyone changes their place of residence or habitat in the course of their lives, even more than once. Wandering can be driven by curiosity or the desire to explore, but it can also be a matter of necessity or even escape. In many cases, the purpose of moving elsewhere is to find solutions to perceived or real problems. But one thing is certain: wherever you go, you take yourself with you.
The archetypal hero of Hungarian folk tales is the wayfarer who sets off with their bag on their shoulder to seek their fortune, to discover the world and themselves in it. This ballet is also a reflection on the wandering lifestyle of dancers.
The music of contemporary ballet Nomads draws onancient musical themes. These pieces of music are written in contemporary dance language and draw their inspiration mainly from ancient Hungarian music, while the dance theatre production uses contemporary dance language to make the musical content of the piece visible.
This performance is a vision that takes shape in adream-like world.
The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.
In Lutte of Birds, a sense of the soaring of birds seeps through the original concept of Lutte, creating a new and exciting dynamic fusion between the themes of struggle and freedom familiar from Frenak. “We keep others on a leash and pet them as long as they serve us, but the moment they want to move around even a little bit, the moment they want to go, we pull them back,” Frenák describes the violent, power-seeking attitude that appears in Lutte and that has haunted our world for centuries.
Bármerre járjak is, a helyet, a kultúrát, az arcokat, a pillanatokat már örökre viszem tovább magammal. Az élmények velem jönnek, épp úgy, ahogy a múltat is magunkkal visszük. Ami ma a jelenem, holnap a múltammá válik. De melyik másodperc az, mely a kettőt elválasztja?
The Fitos Dezső Dance Company is careful to regularly stage dance theatre performances that consider the authentic transmission of folklore…
The forest was covered with soft, pure white snow and with the quiet dance of the falling snowflakes the exciting…
The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same…
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