Our latest production was inspired by And Then There Were None, the best-selling novel by world-famous author Agatha Christie, which explores the concept of sin as a moral dilemma, built around ten symbolic signs of sin.
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Last event date: Friday, March 28 2025 7:00PM
The original work tells the story of a perfectly crafted and executed series of crimes, whose protagonists—and victims—are ordinary people who, willingly or unwittingly, have committed some kind of crime that has not been properly punished or absolved.
Reading the novel, the question arises: who is the real culprit and who is the real victim? How many crimes that affect us, our immediate environment, or even the whole of humanity take place right before our eyes? We see the clues, the signs of sin, but to no avail—we cannot or will not act, and the sinners continue to live their lives unbeknownst to others.
Our surreal new production helps individual fates unfold, prompting us to ask ourselves: are we victims or culprits, and can we do anything about either if we have been recognised or have been made to recognise them?
Performed by the dancers and guests of the Inversedance Company
Choreographed by Zoltán Fodor and the Inversedance
Music: Atilla Gergely
Scenography and lighting design: Zoltán Fodor
Set: Tamás Rákay
Costume: Diána Sára Veréb
Dramaturgy: Károly Juhász
Video: László Dinea
Production Manager: Zoltán Sándor
Technical Assistant: Attila Petróczy
Kizökkent az idő…, ahogy Shakespeare-nél szokott. De, míg Hamlet azzal a bizonyossággal lép a színpadra, hogy általa még helyretolható – Lear az első pillanatban elveszti a csatát. Nem fokozatosan fog széthullani; az egykori nagy király és magabiztos férfi egyetlen pillanat alatt semmisül meg, amikor imádott felesége sírba száll. Darabbéli útja innen csak tántorgás a végső nyughely felé. Hangulat ingadozásai, átkai, dührohamai, de még kétségbeesett kapaszkodási kísérlete is lányaiba – mind a pótolhatatlan űrrel magyarázhatók. Képtelen tovább a kormányzásra; így válik a birodalom felosztása kényszerűvé. Nincs előre eltervezettség és racionális döntés, csak kapkodó improvizálás.
Rhapsody as a genre is characterized by caprice and the passionate undulation of emotion, thoughts, and the freedom of expression. Hungarian Rhapsody incorporates all of the peculiarities of thegenre, relying on tradition, and drawing inspiration from it, to create a special and unique dance rhapsody. The colorful diversity of the Hungarian peasant traditions appear in dynamically alternating images – the acrobatics of the male dances, the poetry of the female dances, and the virtuosity of the couples’ dances. The most beautiful melodies of folk culture surface at times as dance accompaniments, or as whimsical solos, and at other times as tempestuous orchestral play.
The soul-liberating moments of rural life—when we dance, sing, and the music begins to play!
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