Program


Bemutató - BÁBEL • Duda Éva Társulat

Bemutató - BÁBEL • Duda Éva Társulat

Humanity has grown too distant from its original,natural environment. While we yearn for a more harmonious existence, we are surrounded by more and more chaos every day, making it increasingly difficult to find our way around and live a healthy life.  more

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Last event date: Saturday, May 11 2024 7:00PM

The production BABEL seeks to capture the emotional state of individuals and communities facing the social challenges of the 21st century. In many ways, our personalexperience of the ‘Babel of confusion’ is very similar, because wherever we are in the world, we feel and relate to the most important human emotions in almost the same way. In any community, our personal bonds, loving connections, particular beliefs, traditions and customs are the most important factors in living together. People are often motivated by good intentions, most of them are not keen on wars, nor do they want to see the planet devoured or the living world destroyed. Yet it’s happening. It is happening all around us, and it’s creating enormous confusion.

BABEL does not tell a story, but depicts an eclecticworld with expressive images and moments, with self-irony and humour, in which people are constantly striving towards a lost state of equilibrium, caught between poles of chaos and conflicting emotions. The desire for harmony is clearly evident even in the upended worldview. The performance depicts the tension between balance and chaos through the contrasting aesthetic qualities of movement, music, and visual effects.

Featuring artists from the Eva Duda Dance Company

Guest artists: Katalin Lőrinc, Tibor Kováts 

Music: Dávid Konsiczky, montázs

Costumes: Krisztina Remete 

Visuals Designer: Balázs Fügedi 

Light Designer: József Pető 

Assistant to Choreographer: Beatrix Csák 

Production Manager: Orsolya Vitárius 

Company Manager: Anita Vodál 

 

Director and Choreographer: Éva Duda, Gyula Harangozó Awarded Artist

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“… for they were at hand, yet unreacheable, present, yet ungraspable …” (Krasznahorkai László)

The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same time the second half of the 19th century was also a period known for the spreading of mental hospitals; patients 'possessed' by animal spirits and treatments of mental illnesses by torture and other bizarre methods.

Compared to Swan Lake, the well-known version of the classical ballet, I wished to rephrase the piece from another aspect, in a different light. In my interpretation, Siegfried is a young man with a split mind, who is being held captive by the traumas of his childhood as a result of his relationship with his mother.

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