In its new show, the Noémi Kulcsár Tellabor company tries to formulate the questions posed in Henrik Ibsen’s drama, also known as ‘Nora’, in the language of dance, while trying to answer some of its own questions. more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Wednesday, May 08 2024 7:30PM
If we have run out of words, how can we communicate with our movements? What meanings can we attach to a hug or a slap? What is it like when we puppeteer someone? And what if we are being puppeteered? What happens when we want to move on our own?
Performed by Kulcsár Noémi Tellabor dancers
Visuals: Noémi Kulcsár
Dramaturge: Dávid Cseh
Choreography by Noémi Kulcsár
Two bodies meet at one point. This point is now common. Two bodies, two people meet at this common point. They are touched. Being touched is like getting into something exceptionally sensitive, intimate, deep. In this moment, something really important, something essential happens. Something inside moves and changes.
Miként az ember leveti elnyűtt ruháit és újakat ölt magára, úgy adja fel a lélek is az öreg és hasznavehetetlen testeket, hogy újakat fogadjon el helyükbe." - idézet a Bhagavad-gítából
Compared to Swan Lake, the well-known version of the classical ballet, I wished to rephrase the piece from another aspect, in a different light. In my interpretation, Siegfried is a young man with a split mind, who is being held captive by the traumas of his childhood as a result of his relationship with his mother.
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